As you can see, the only note that isn’t sharp is B. This is the F major scale, with F at its root and another F, an octave higher, at its highest point. Every note is sharp except the fourth note B. The G Major scale has the notes G, A, B, C, D, E, and F. The scale of the key of F major is made up of F, G, A, B, C, D, and E. (G-flat, A-flat, B-flat, C-flat, D-flat, E-flat). The G Major Scale Play Key Signature Relative Keys The relative keys of G Major are: E Minor D Mixolydian A Dorian C Lydian B Phrygian F Locrian About The Key Of G Major The key of G Major has a key signature of 1 sharp (F). Thus is would make no sense to label the f♯ degree, being the fifth note up from B, as something with G in its name (which would be a sixth up). G-Flat major has six flats, meaning every note in this scale is flat except for F. The names fourth and fifth reflect the counting of four/five respectively notes from interval-start to interval-end. The order of sharps in key signatures is F, C, G, D, A, E, B, while the order of flats is the opposite: B, E, A, D, G, C, F. HS tonic to dominant, ascending and descending. So, that is the scale from which the letters are taken. Technical tests (scales, chords, and arpeggios) must be played from memory. They make a harmonic sound for music in the F sharp major key. These are the chords that are diatonic to the F sharp major scale. F diminished chord is the same as E Sharp diminished chord. The reason we stop at seven notes is that further notes, such as pure fourth down from f♯, would be surrounded on both sides very narrowly (in modern terminology, by a semitone) by other notes, and that is a bit weird melodically. E G B (E Sharp diminished chord) Notice that E Sharp and F are enharmonic equivalents. At these simple integer ratios, the notes' harmonics match up, which gives a very clear consonant result. D has ³⁄₂ the frequency of G, and C has ⁴⁄₃ the frequency of G etc. The reason we use all fourths and fifths: those intervals are distinguished by a clear, simple physical relationship: e.g. Writing G major as g-a-b-c-d-e-g would mean that you constantly have to switch between g and g sharing the same location in the staff while the location of f goes unused. I want to know if the E-sharp major scale is fake PS. Because the whole point of a key signature is not having to use any additional accidentals as long as you keep within the tonality specified by your key signature. The major scale is just a modern implementation of the Pythagorean diatonic scale built up from the following intervals: WikiPedia has an article about E-sharp minor scale (that is a scale relative to G-sharp major) there is no article of E-sharp major, instead it redirects to F major that is a scale using flats instead of sharps.
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